[Top-selling item] Gucci Tiger Floral Hawaii Shirt Shorts Set And Flip Flops

Gucci Tiger Floral Hawaii Shirt Shorts Set And Flip Flops,  

Some details about our product

Hawaiian Shirt

KEY FEATURES:

• Summer Short Sleeve Hawaiian Beach Shirt. Casual/Dating/Sun Beach Party/Hawaiian/suitable for a variety of occasions
• Suitable for special occasions such as Christmas, birthday, celebration, housewarming gift.

PRODUCT INFORMATION:

• 100% KATE SILK
• Casual button-down shirts /Soft decent Regular fit/Breathable/Good Quality/Men designer shirts /Good
• Choice for Summer/men Hawaiian shirts

Shorts

KEY FEATURES:

• Side pockets store essentials.
• A ribbed drawcord waistband adjusts for a snug fit, and side-seam pockets store your small essentials.
• Running, jogging, gym, workout, fitness, walking, outdoor living, everyday wear, exercise, layering, lounging, activewear, etc.
• Suitable for special occasions such as Christmas, birthday, celebration, housewarming gifts.

PRODUCT INFORMATION:

• 35% Cotton – 65% Polyester, soft and comfortable, without ever fading, cracking, peeling, or flaking-high quality.
• The colors are vibrant and won’t fade.

FLIP FLOPS

KEY FEATURES:

• Daily casual flip flops, beach thong sandals, pool slippers, shower shoes, water shoes.
• Enjoy the relaxation and freedom you can feel with flip flops!
• Suitable for special occasions such as Christmas, birthday, celebration, housewarming gift.

PRODUCT INFORMATION:

• Made of EVA, easy slip-on, it provides you with lightness, breathable and comfort when walking.
• Rubber strap provides a frictionless and smooth feeling between your toes, supporting your walking and providing the ultimate instant comfort feeling.
• The high-quality EVA outsole improves the durability and slips resistance of the flip flops.

The Hawaiian shirt (also known as a “Aloha shirt” in Hawaii) has become an internationally recognized icon of Hawaii. What began as a simple flower print shirt has taken on a life of its own, growing into what we now know as the Hawaiian shirt over the decades.

Hawaiian shirt fashion has grown with other fashion trends since its humble origins in the 1930s. Hawaiian shirts and other Hawaiian apparel come in a variety of styles. Hawaiian shirt, your very own Hawaiian shirt Wiki, has some intriguing facts about the history of Aloha shirts that you might not know.

EARLY HAWAIIAN CLOTHES

Natural Hawaiians made their clothing from native plants and trees before the introduction of woven fabrics from China, Japan, and the West. Men wore a malo, or loincloth, fashioned from tapa cloth derived from the inner bark of wauke trees.

As you can expect, that type of fabric has a very different look and feel from the rayon or cotton used in most modern Hawaiian shirts. Traditional Hawaiian ladies wore a pau skirt, which resembled a hula skirt. This sort of skirt can still be found at novelty shops and during Hawaiian luaus nowadays.

TAPA FOR EVERY OCCASION

Tapa was a robust, long-lasting, and versatile material. It was good for clothes and as a floor covering. It was also simple to adorn because it was composed of plants and had a very flat surface. Tapa cloth was the artist’s canvas throughout Polynesia, and individuals hand-painted their tapa creations with gorgeous colors and wonderful designs

gaining inspiration from the natural world. Tapa cloth frequently depicted plant life, notably tropical flowers and lush green leaves. These magnificent Polynesian tapa prints are the source of today’s vibrant, colorful patterns on Hawaiian shirts and outfits.

THE ALL-TIME FAVORITE PALAKA SHIRT

The Hawaiian Islands grew into a dominant plantation economy in the late 19th and early 20th centuries, exporting sugar, pineapple, and coffee all over the world. Plantation workers required a tough shirt that could withstand hard labor in the fields as well as Hawaii’s hot, frequently unpredictable weather.

The checkered blue and white denim palaka became Hawaii’s typical work shirt within a generation. Palaka Hawaiian shirts and blue denim trousers known as sailor-mokus, which were originally worn by field workers, had practically become the official national costume of Hawaii both on and off the plantation by the early 1930s.

FROM KIMONO TO ONO is a Japanese word that means “from kimono to

Shirts were hand-tailored in the early days of fashion. This might happen in the comfort of one’s own home or at a custom tailor’s business. These stores immediately sprang up all across the islands, especially in plantation towns and Honolulu. Newly accessible fabrics from throughout the world were sold at dry goods stores, including printed silk from Japan, raw silk, batik, and rayon from the United States mainland, and cotton cloth for kimonos and yukatas.

Hawaiian history had long been shaped by Asian immigrants, and apparel designs reflected this. Short- and long-sleeved shirts, as well as women’s skirts, were created using pre-printed textiles from China and Japan, and were based on Asian clothing styles. These bright blouses and dresses were the forerunners of today’s Aloha attire. On the islands, we say “ono” to describe something that is pleasantly cool.

THE ORIGINAL HAWAIIAN DESIGNS

Hawaiian apparel producers did not begin producing cloth with a distinctively Hawaiian design until the mid-1930s. Watumull’s East India Store pioneered the Hawaiian print by asking artist Elsie Das to produce fifteen floral designs, laying the groundwork for what we now know as a Hawaiian print. Her lovely hand-painted designs were shipped to Japan, where they were hand-printed onto raw silk and made into clothes.

HOLLYWOOD DREAMS AND SATIN MISTAKES

A Japanese manufacturer once printed a set of her floral designs on thick satin by mistake, according to Hawaiian fabric designer Elsie Das. “In Hollywood, these became popular. Ginger Rogers, Janet Gaynor, and other celebrities bought bolts of the fabric and had seductive gowns’ created out of it. The upshot was a nationwide hibiscus and ginger craze, with hibiscus and ginger popping up on tablecloths, napkins, and scarves.” William Davenport’s essay “Elsie Das, Artist Designer” appeared on page 9 of Paradise of the Pacific in 1963.

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